Rousse's work, from the 1990s to today, generally appears at first glance to be photos of desolate or abandoned spaces (buildings, rooms, parking garages or streetscapes) often on their way to the wrecking ball, on which the artist has superimposed precise geometrical shapes or squiggly graffiti. However, this is an intended illusion: what Rousse does is to paint these designs onto the abandoned spaces before taking the photo, correcting for such things as the slope of floors or the inter...